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Federico García Lorca’s Poet in Spain.” Yale Review, 106:3 (2018): 156-162.

Where the Dream Ends: Stories by José Alcántara Almanzar. Translations by Lizabeth Paravisini-Gebert. Edited with Cecilia Graña-Rosa ‘15. Fort Lauderdale, FL: Caribbean Studies Press, 2018.


“The short stories of José Alcántara Almánzar are an ideal point of entry into the thematic and stylistic wealth contemporary Dominican literature offers. ‘Moving, urgent, piercing’ is how critic Orlando Alcántara Fernández characterizes Alcántara Almánzar’s mastery of his craft, ‘his mark of identity as a writer from beginning to end.’. . . . Formally experimental and thematically innovative, the short stories of José Alcántara Almánzar showcase his willingness to deploy a range of techniques drawn from both his deep understanding of the psychology and social constraints of his characters and his command of the traditions of his chosen genre. From Edgar Allan Poe to Jorge Luis Borges and Julio Cortázar-to whom Alcántara Almánzar acknowledges a profound debt-his fiction is steeped in the history of the short story while pushing its technical and thematic boundaries into new directions.” -From the Introduction by Lizabeth Paravisini-Gebert

Includes my introduction and my translations into English of the following short stories:

“Concierto Italiano”/“El Desquite”/”Despedida de Niño ‘El Malo’”/“Vaticinio”/“El zurdo”/“La obsesión de Eva”/“Tentaciones”/“En carne viva”/“Como una noche con las piernas abiertas”/ “La reina y su secreto”/“Lulú o la metamorphosis”/“Viajeros”/“Ruidos”/“Él y Ella al final de una tarde”/“Crónica trivial de una fiesta íntima”/ “Con papá en casa de Madame Sophie”/“El regreso”/“Noche de luna gris”/“Enigma”/“La insólita Irene”/“La prueba”/“Rumbo al mar”/“Viaje al otro mundo”/“La muchacha que conocí en Guadeloupe”

June 2018: “The Ozama River and the Dominican Poor: Narratives of Climate Change.” Global Dominican: Politics, Economics and Cultural Production. Senate House, University of London.



“The Parrots of the Caribbean: Facing the Uncertainties of Climate Change.” ReVista: Harvard Review of Latin America. XVIII:3 (Spring-Summer 2018): 45-48.


Parrots of the Caribbean


Read article here.


“The Ghost and the Darkness: Caribbean Hauntings.” In The Routledge Handbook to the Ghost Story. Edited by Scott Brewster and Luke Thurston. London: Routledge, 2017.


The Handbook to the Ghost Story sets out to survey and significantly extend a new field of criticism which has been taking shape over recent years, centering on the ghost story and bringing together a vast range of interpretive methods and theoretical perspectives. The main task of the volume is to properly situate the genre within historical and contemporary literary cultures across the globe, and to explore its significance within wider literary contexts as well as those of the supernatural. The Handbook offers the most significant contribution to this new critical field to date, assembling some of its leading scholars to examine the key contexts and issues required for understanding the emergence and development of the ghost story.


 “The Caribbean’s Agonizing Seashores: Tourism Resorts, Art, and the Future of the Region’s Coastlines.” Routledge Companion to the Environmental Humanities, 278-288. Edited by Ursula Heisse et al. New York: Routledge, 2017.


The Routledge Companion to the Environmental Humanities provides a comprehensive, transnational, and interdisciplinary map to the field, offering a broad overview of its founding principles while providing insight into exciting new directions for future scholarship. Articulating the significance of humanistic perspectives for our collective social engagement with ecological crises, the volume explores the potential of the environmental humanities for organizing humanistic research, opening up new forms of interdisciplinarity, and shaping public debate and policies on environmental issues.


 “Gade nan mizè-a m tonbe: Vodou Practices and Haiti’s Environmental Catastrophe.” In The Caribbean: Aesthetics, Ecology, Politics, 63-80. Edited by Michael Niblett et al. Liverpool (UK): Liverpool University Press, 2017.


This unique edited collection of scholarly articles brings together the work of a diverse range of literary and cultural critics, creative writers, and environmental and social activists. It marks an important contribution to the fields of Caribbean Studies, postcolonial studies, and ecocriticism. Through its deployment of the concept of world-ecology, the volume intervenes in two of the most vital areas of investigation in current literary studies. On the one hand, it represents an engagement with the field of world literature, around which there has been an upsurge in debate over the past decade or so. On the other, it responds to new developments in the field of environmental humanities, which derive their urgency from concerns over the planetary ecosystem. The collection provides an original and comprehensive perspective on the imbrication of the history of environmental transformations, political struggles, and literary production in the Caribbean. The book responds to the need for an engaged, pan-Caribbean-oriented investigation into the relationship between aesthetics and ecology, one capable of situating the analysis of cultural production within the specific contexts of local environmental concerns and struggles. The essays in this collection provide an unparalleled insight into how particular ecological processes and pressure-points in the Caribbean region – from ‘natural’ disasters such as hurricanes to the impact of neoliberal structural adjustment policies – have imprinted themselves on literary form.


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Rutgers Advanced Center for Critical Caribbean Studies invites you to the 2017 Sylvia Wynter Distinguished Lecture

Drowning Cities: Caribbean Capitals, Rising Sea Levels and the Displacement of the Urban Poor

Lizabeth Paravisini-Gebert, Vassar College

Monday March 6, 2017

5:00-6:30 p.m.

Teleconference Room, 4th Floor, Alexander Library, CAC, Rutgers


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Environmental Activism and Activist Art in the Caribbean


Puerto Rican environmental artist Dhara Rivera and her team (August 2016)



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Thrilled at having been chosen as the 2016-17 Wilbur Marvin Visiting Scholar for the David Rockefeller Center for Latin American Studies (DRCLAS) at Harvard University. As a visiting scholar in the area of Environmental Humanities, I will be working on my project, The Amazon Parrots of the Caribbean: An Environmental Biography.

Judge, Non-Fiction Category, OCM Bocas Literary Prize for Caribbean Literature 2016. Bocas Literary Festival, Port-of-Spain, Trinidad.

Exhibition of Hispanic Caribbean art now on view at the Frances Lehman Loeb Art Center, through May 8, 2016

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Fluid Ecologies: Hispanic Caribbean Art from the Permanent Collection is an exhibition of thirteen works on paper by seven of the most celebrated Hispanic Caribbean artists of the last five decades. Organized by the Art Center and Lizabeth Paravisini-Gebert, Professor of Hispanic Studies on the Sarah Tod Fitz Randolph Distinguished Professor Chair, the exhibition will be on view through May 8.


Vol. 24 , No. 2 November 2016

Bagasse: Caribbean Art and the Debris of the Plantation.” In Global Ecologies: Postcolonial Approaches to the Environmental Humanities. Edited by Elizabeth DeLoughrey, Jill Didus and Anthony Carrigan. New York: Routledge, 2015.


This book examines current trends in scholarly thinking about the new field of the Environmental Humanities, focusing in particular on how the history of globalization and imperialism represents a special challenge to the representation of environmental issues. Essays in this path-breaking collection examine the role that narrative, visual, and aesthetic forms can play in drawing attention to and shaping our ideas about long-term and catastrophic environmental challenges such as climate change, militarism, deforestation, the pollution and management of the global commons, petrocapitalism, and the commodification of nature.

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Lizabeth Paravisini-Gebert: Caribbean Environmental History–Why Years of Destruction Matter
In Puerto Rico, Cuba, Haiti-and-the-Dominican Republic, and many other islands, drastic deforestation (among other damage) put in motion by earlier colonial powers has led to a plethora of ecological ills that continue to haunt the Caribbean today. The history of this environmental destruction and how we might think about it going forward is the topic of today’s Thinking Aloud.


Original airdate: 12/10/2015

Listen to Audio here.



Edited by Kaiama L. Glover and Alessandra Benedicty-Kokken

This issue considers the oeuvre of Haitian writer Marie Vieux-Chauvet (1916–1973) as a prism through which to examine individual and collective subject formation in the postcolonial French-writing Caribbean, the wider Afro-Americas, and beyond. While both Vieux-Chauvet and her corpus are situated in the violent space of mid-twentieth century Haiti, her work articulates the obstacles to claiming legitimized human existence on a global scale. The contributors to this interdisciplinary volume examine Vieux-Chauvet’s positioning within the Haitian public sphere, as well as her broader significance to understanding gendered and racialized postcolonial subjectivities in the twenty-first century. The volume includes my article, “’All misfortune comes from the cut trees’: Marie Chauvet’s Environmental Imagination.”


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Land and Water: Australian Association for Caribbean Studies Conference. University of Wollongong, Australia.

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“Una conversación sobre edición con Ivette Romero y Lizabeth Paravisini-Gebert.” An interview by Natalie M. Colón. Caminos Convergentes (5 May 2015).


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FROM Scientific American . . . 


I was bemused today to find my work quoted in an article on a tiny fern in the Arctic by Scientific American. The tiny and quite amazing carbon-sequestering fern is called Azolla:

Scientific American

FROM NEW YORK’S El Diario . . . 

Santeria religion / cult in Cuba 2012/13

In an article in the New York City newspaper El Diario, based partly on a telephone interview with me conducted by reporter Zaira Cortés, Santería is discussed as a “method for survival: see Zaira Cortés’ “La Santería como método de sobrevivencia”:


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The Cross-Dressed Caribbean: Writing, Politics, Sexualities

Edited by Maria Cristina Fumagalli, Bénédicte Ledent, and Roberto del Valle Alcalá

The Collection includes my essay “Helen in Her Yellow Dress: Dressing, Undressing, and Cross-Dressing in the Literature of the Contemporary Caribbean.”

Studies of sexuality in Caribbean culture are on the rise, focusing mainly on homosexuality and homophobia or on regional manifestations of normative and nonnormative sexualities. The Cross-Dressed Caribbean extends this exploration by using the trope of transvestism not only to analyze texts and contexts from anglophone, francophone, Spanish, Dutch, and diasporic Caribbean literature and film but also to highlight reinventions of sexuality and resistance to different forms of exploitation and oppression.

This book reveals in a powerful way that the Caribbean, often criticized and represented as macho, hyper-masculine, violently homophobic, and sexually restrictive has in fact given gender and sexual transgression a prominent if not defining role in national and regional culture and history. In addition, The Cross-Dressed Caribbean illustrates that cross-dressing and other gender transgressions are often but hardly always about queer sexuality, and they are almost alwayspart of a negotiation with or struggle against patriarchy and colonial/postcolonial oppression.”

—Leah Rosenberg, University of Florida



Latin American Icons: Fame across Borders, edited by Dianna C. Niebylski and Patrick O’Connor

The faces of fame in Latin America–and the power they hold over the world.

The volume includes “Porfirio Rubirosa: Masculinity, Race and the Jet-Setting Latin Male,” co-written with my Vassar College colleague Eva María Woods-Peyró.

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. Latin American Icons, from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, Latin American Icons recognizes and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life–populist politicos, jet-setting ambassador-playboys, soccer players and superstars–to examine the complex forces at work in the making and re-making of celebrities within and across national borders.




Despite the gloomy interior and pounding rain on the roof of the Alliance Française building on Elmshall Road, the room took on a cozy atmosphere as writer, politician and courageous woman, Phyllis Shand Allfrey, came  to life through her work, Dominica News Online reports. New life was breathed into them as her poems were read one by one, to a captive audience  by DFC Events Director, Nathalie Clarke and given broader perspective by Lizabeth Paravisini- Gebert, Professor in the Department of Hispanic Studies at Vassar College in New York and Editor of the publication, Love for an Island, at its official launch on Thursday. You can read the complete article at Collection of poems by Phyllis Shand Allfrey officially launched



I am the (very happy) recipient of a grant from the Warhol Foundation for my book-in-progress: Troubled Waters: Ecology and History in 21st-Century Caribbean Art.

The Creative Capital | Warhol Foundation Arts Writers Grant supports writers whose work addresses contemporary visual art through project-based grants issued directly to individual authors. The first program of its kind, it was founded in recognition of both the financially precarious situation of arts writers and their indispensable contribution to a vital artistic culture. The Arts Writers Grant Program issues awards for articles, blogs, books, new and alternative media, and short-form writing projects and aims to support the broad spectrum of writing on contemporary visual art, from general-audience criticism to academic scholarship.

Here’s the announcement from their website:

Troubled Waters: Ecology and History in 21st-Century Caribbean Art will explore the ways in which 21st-century Caribbean artists address the environmental consequences of a history of mismanagement of the islands’ coasts and surrounding sea. Through an analysis of a variety of artistic projects, the study examines the growing role of the region’s artists in environmental debate. The analysis of their works (many of which incorporate materials drawn from the sea as artistic material) will serve as an entry into the rich expressive possibilities open to 21st-century Caribbean environmental artists and the theories that underpin their work. These photographs, paintings, and installations metaphorically underscore how Caribbean nations and peoples have been marked by their proximity to and dependence on the sea.



Beyond Sweetness: New Histories of Sugar in the Early Atlantic World at the John Carter Brown Library (Brown University)

My paper, “Bagasse: Caribbean Art and the Debris of the Plantation, ” begins at the 40:20 minutes on the recording.



Last June (2013) I had the pleasure of sharing a panel at LASA with Mexican novelist Homero Aridjis. The panel, organized by Steven White of St Lawrence University, focused on Ecocriticism and Environmental Activism. For more on Homero’s environmental activism, please look at his article on Monarch butterflies in the New York Times, which you can find at



On May 30 (2013) Kelly Baker Josephs announced the latest issue of sx salon (12), a Small Axe literary platform. The issue is now live and the articles can be accessed through the following link:

Description: Our spring issue of sx salon features a discussion of the volcanic eruption of Mont Pelée in Martinique. This discussion, guest-curated by Lizabeth Paravisini-Gebert, considers the literature, images, and rhetoric surrounding the 1902 eruption and makes connections to other Caribbean natural and manmade disasters. Featuring essays by Elaine Savory, Kevin Meehan, Paulette Richards, Ivette Romero, and Paravisini-Gebert, this discussion of Mont Pelée is inspired in part by the three-year Visual Life of Catastrophic History project in progress in the pages of Small Axe (see “The Visual Life of Catastrophic History: A Small Axe Project Statement” in Small Axe 34 [March 2011] for a full description of the project). The discussants consider both the visual and literary life (perhaps even lives?) of Mont Pelée before and after 1902.


Last April, Elizabeth De Loughrey at UCLA organized a fantastic conference on “Global Ecologies,” at which I had the opportunity to present a paper on “Bagasse: Caribbean Art and the Debris of the Plantation.” It had Vandana Shiva as a keynote speaker.

The presentations are now available on video through i-tunes and can be accessed at



I recently gave the annual Henry Thomas Guest Lecture at the University of Birmingham (UK) on “Food, Diversity, Extinctions: Caribbean Fauna and the Struggle for Food Security during the Conquest of the World.” It was an honor to be invited and a pleasure to meet the faculty and students, who were most welcoming. I just found this post on their blog, Open Boat, with very kind comments on the lecture. Many thanks.

It can be found at

The lecture itself can be watched at



Deforestation and the Yearning for Lost Landscapes in Caribbean Literatures [Scroll down for video]

Image by Zoriah Miller at



Hispanic New York: A Sourcebook, edited by Claudio Iván Remeseira, includes a piece I co-wrote with my dear colleague Margarite Fernandez Olmos. The book has just been published by Columbia University Press, which describes it thus:

Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a “mainstream” and supposedly pure “Anglo” America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city’s history. They represent what Walt Whitman once celebrated as “the Spanish element of our nationality.”

Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily accessible, Claudio Iván Remeseira makes a compelling case for New York as a paradigm of the country’s Latinoization. His anthology mixes primary sources with scholarly and journalistic essays on history, demography, racial and ethnic studies, music, art history, literature, linguistics, and religion, and the authors range from historical figures, such as José Martí, Bernardo Vega, or Whitman himself, to contemporary writers, such as Paul Berman, Ed Morales, Virginia Sánchez Korrol, Roberto Suro, and Ana Celia Zentella. This unique volume treats the reader to both the New York and the American experience, as reflected and transformed by its Hispanic and Latino components.

For more information and table of contents go to


havana_jacket_thumbCuban writer Mirta Yáñez is about to publish the first collection of her work in English, which includes several of my translations from the Spanish original. The book, forthcoming this October, is described in the publisher’s site thus:

Poet, novelist, critic, and extraordinary writer of short fiction, MirtaYañez also has worked extensively compiling anthologies of contemporary Cuban women writers.  Her narrative stands out by virtue of a complex yet unmistakable Cuban flavor and a characteristic preoccupation with the social, political, and economic particularities of the island and how these affect los cubanos. Catherine Davies has called Yañez one of the “most outstanding short story writers” among Cuban women.  This groundbreaking collection of her work, most of which is available for the first time in English translation, includes La habana es una ciudad bien grande in its entirety as well as selected stories from Todos los negros tomamos caféEl diablo son las cosasNarraciones desordenadas e incompletas and Falsos documentos.

For more information go to


stampa-208x3001March 28, 2010

“Global Voices Online” posted an interview about our blog, “Repeating Islands,” with me and my co-blogger, Ivette Romero. (See link to the interview in English with Nicholas Laughlin below.) We thank him for his interest and continued support of our blog. He has been wonderfully generous with his encouragement and help.

Nicholas’s interview has been translated into Italian and posted in the blog of Turin’s newspaper La Stampa. That interview can be found at


gv-logo-below-square-144March 18, 2010

Global Voices Online has posted an interview with me and Ivette Romero-Cesareo about our blog, Repeating Islands. You can find the interview at

To see our blog, go to


zombies-headSpring 2010

Vassar College’s YouTube Channel has filmed a series of two-minute lectures with a number of faculty members at the college. Here are my  two . . .

Lizabeth Paravisini-Gebert, Randolph Distinguished Professor of Hispanic Studies, examines the idea of “endangered nations.” Part of the Two-Minute Lecture Series at Vassar College.

Lizabeth Paravisini-Gebert, Randolph Distinguished Professor of Hispanic Studies, explains the nature and significance of zombification as it is practiced in Haiti. An Off-the-Cuff lecture at Vassar College